Hearable Examples

In the table below one can approach and click the particular colour, hear a musical example of this colour as music, so that the effect of both can be perceived at the same time.

One can locate the chromatic development of horizontal and vertical harmonies- see and follow them as particular colours and listen to the characteristic effect as music. One can also load down the music as written notes or mp3 tune.


Treatise on Triton Relations

As scale inherent relation and interconnecting functions

Within the music the presents of the triton, whether explicitly hear able or not (concerning the great interdependence of existence and non-existence), is of utter importance, so that the possible position within the scale in relation to each other should be analysed. From there one can understand the triton relation as movement in context of the chromatic of the 12 tones.


1 +4 : +3 -7 as following intervals : 1 +3 +4 -7
    to presume in the context also +2 +5 (also as a component of Yellow)
    this indicates to be a whole tone scale 1 +2 +3 +4 +5 - 7 = O+4+5

As general function these intervals can be seen as the effect of O Red

1 +4 : 4 +7 as following intervals : 1 4 +4 +7
    to presume in the context also +2 +5
    this indicates to be the character of major ( also without the +3) 1+2 4 +4 +5 +7 the +7 indicates
    an eccentric leading tonality

As general function these Intervals can be seen as the effect of Yellow

1 +4 : -3 +6 as following intervals : 1 -3 +4 +6
    to presume in the context also -2 5
    this indicates to be the character of minor 1 -2 -3 -5 5 +6 the -2 indicates an concentric leading
    tonality
    as general function these intervals can be seen as the effect of Δ Blue


Room for discussion leaves the meaning of +2 +5; it could also be seen as a 2 -6 as an important interval within the aeolic (Cote d'azur) Blue.

Also the meaning of -2 5 could be seen in the context of Yellow, if one asks.

Leading tonality can not only be differentiated in concentric(-2:1/8) and eccentric(+7:8/1). It also can be understood as a general dynamic of the next halftone to the base of the next degree towards light as an `inner wish´ to proceed or for dissolution.


Triton Functions within the Chromatic

Having given an approximate evaluation for the position of two and three tritons, one can conclude within the chromatic as following:


+7  
-7   O
6   Δ
-6   O
5   Δ
+4/ -5   Δ O
4  
3   O
-3   Δ
2   O
-2   Δ
1 /1   O Δ